Every year I offer my take on the Academy Awards, and this year was
just WOW! As the title implies, this might have been the blackest Oscar
ceremony yet, and yes, I am using the word black to describe how much
of a complete 180-degree turn this year was after two straight years of
being so white. Here is my (belated) top ten list of great Oscar
moments:
1. Jimmy Kimmel: Hands down, one of the funniest
hosts of the ceremony in many years. I know how much people love Billy
Crystal, Whoopie Goldberg, Ellen DeGeneris, and Steve Martin and I love
them all as well. But given how entertaining this new crop of late night
talent is, we should never have to sit through another boring four-hour
Oscar telecast ever again...
2. Mahershala Ali: Well,
I expected this, so my hope is that his moment and enormous talent will
not end up wasted like so many other best supporting actors, especially
those of color. Hollywood tends to get it right when it comes to this
category, with rarely any controversy or undeserved accolades, but then
there is the dilemma of how best to showcase that talent beyond that
particular film. Here's to hoping for better opportunities for non
A-listers who consistently perform on A-list level.
3.
The Documentary Film Category: This caught me completely by surprise. I
was familiar with a couple of the films that had been nominated, but it
did not register that four of the five had African American directors.
Perhaps this recognition will offer more opportunities for directing
bigger studio projects, which brings me to the significance of...
4. Moonlight:
I saw this film on a whim one afternoon and I am so glad that I did. I
knew about the film from the heavy promotion it received locally,
especially on public radio and ironically, on Facebook. I left the film
believing it to be somewhat over-hyped because of its subtlety, but I
never felt that it was undeserving of the critical attention it
received. Then as the momentum built towards awards season, I watched
several interviews with the stars, the screenwriter and the director
which offered me the chance to reconsider whether I had missed
something. I had. I had completely missed how Moonlight was one
of the few films about African American life that was not placed in a
historical framework. It was not one of the typical important films,
just a really good one that told a story that allowed audiences to
discover its merit.
I
know that there are various conspiracy theories about the evening's
cliffhanger regarding the best picture announcement. I am not all that
concerned that Faye Dunaway got it wrong (on purpose or accidentally on
purpose)...nor do I feel all that bad about the "lost" moment for the
Moonlight cast and crew to bask in the glory of the win. For me, all
that matters is that this year a black director got to take home the
statuette, and every time that happens, it makes the odds so much more
favorable for the next black (brown, Asian, female, gay, etc.) director.
Finally, the Moonlight
adapted screenplay win is also very important for future projects. As
much as I enjoy historical pieces, it is equally necessary for there to
be a variety of options for black directors when it comes to the types
of films they get to contribute. If we only hand out statues for so
called "important" films that only present black life through struggle
and triumph, then we never really move beyond the two-dimensional limits
that bring only certain films to wider audiences. I am happy to see a
film like Hidden Figures in the mix, but I also want more opportunities to see other films like...
5. Fences:
And I will count myself in the minority by arguing that it would have
been way too black if Denzel had won (not that I would have
objected)...but it is more fitting that Viola Davis finally won for best
supporting actress, even if we all know it was a cheat. Denzel probably
won't get another Oscar any time soon, but perhaps he can get
out-streep Meryl and get nominated for everything he touches, even
perhaps earning an Emmy nod for marrying that couple during that bit
from the ceremony.
Seriously, I am glad that August
Wilson's work will finally be more accessible to audiences beyond the
theatre. It is fitting for Viola Davis to finally win an Oscar for Fences
since she is one of the many actresses who have brought Wilson's work
to life. Denzel now has a stronger platform from which he can help
launch some up and coming or undiscovered talent, which is ultimately
more important than winning an Academy Award this year.
6. Lin-Manuel Miranda: He is my boo...and as much as I LOVE the Hamilton soundtrack, his song "How Far I'll Go" for Moana sounded a lot like every other song on the Hamilton
soundtrack. He is a tremendous talent, though, so he can be forgiven
for relying on what works best for him (since it seems to work well for
everyone else in the music categories). I am looking forward to watching
his career continue to explode.
7. Foreign
Language Film: That moment was absolutely the most defiant act of the
night! Too bad I never bother to see the foreign language films...of
course now, I might have to make an effort. By boycotting the ceremony,
Iranian director Asghar Farhadi
made the blackest statement ever since Chris Rock's opening monologue
last year. Given the injunction against the travel ban, Farhadi could
have gotten a visa to come. But it is obvious from his statement that he
was far more interested in highlighting how the travel ban had
far-reaching implications for various types of visitors to the States.
And if protest against injustice is not the epitome of blackness, then I
don't know what else is.
8. Emma Stone and Casey
Affleck: The two major awardees who aren't hardly black...starring in
films that weren't hardly black...but they deserve an honorable mention
for being the minorities this year. Congratulations!
9.
Gary from Chicago: I mean, yeah. On the tour bus with his boo of 20
years. Grabbing Mahershala's Oscar during a selfie. Getting married by
Denzel. Becoming a Twitter sensation and a FB meme. Then being dragged
for being a returning citizen. Yep.
10.
Halle Barry's Afro: I am absolutely in the minority, but I LOVED her
hair! And I think all of the criticism of her choice is a reflection of
our need to be more open to unconventional expressions of beauty. On the
one hand, we argue that natural hair is mainstream and beautiful, but
then we spend half the night dissing Halle for wearing a big fluffy
Afro! In the very year that the Oscars were this black, someone needed
to rock a fro and why not Halle?
And those are just my initial thoughts on this year's ceremony. I have a little more to offer, so stay tuned.
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